The process behind these compositions was surprisingly simplistic: small springs with magnets were affixed to the outside of a cymbal, while an electromagnet placed nearby induced oscillations in the metal. Urban would then introduce rhythmic frequency patterns using software he developed in Pure Data – an open source programming language – to “play” these compositions. By manipulating frequency, amplitude, angle, and distance of the electromagnet, he found himself in control of a uniquely focused and expressive instrument. No additional processing required.

Taking cues from one of his favorite composers – Giacinto Scelsi – Urban found himself consumed by the purity of these experiments. Even though he was limited to a single tonal pitch, by focusing on the generation of overtones, loudness, and silence, he was able to construct an endlessly fascinating and focused body of sound works that are refreshingly void of pretense. 

EXP 201 CD